Longreach to Winton via Mystery Road

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Apex Park outside Longreach (photo by Bob Wilson)

From Hughenden: No 3 in an outback adventure series

So we’re driving into Longreach from Barcaldine, a journey rarely punctuated by a bend in the road, when snippets of a song jump into my head.

“I dunno why they call it Longreach, it doesn’t seem that far to me,” goes the line from one of Mick O’Halloran’s songs.   .

Unlike much of the outback, at least you know when you’re coming into Longreach, 1,175 kms north-west of Brisbane, because of the unmistakable landmark which is the Qantas Founders’ Museum. We found our way to the town information centre and paid $6 for the privilege of camping for two nights at Apex Park, 4 kms west. The photo doesn’t quite do justice to the sight of 90 or so caravans, fifth-wheelers, slide-ons, camper trailers, A-vans, converted buses and the occasional tent, squatting in the dust alongside the Thompson River.

There’s a barbecue and covered picnic tables, flushing toilets and it’s only five minutes from town. But we were all a bit too close together for comfort and there were irritants like drifting smoke from camp fires, the grumble of generators, the untimely crowing of feral roosters and the bloody flies! I’ve been on a quest for a pair of his and hers fly swatters but so far on this trip they’ve been out of stock everywhere we looked.

I could not help noticing how many more vans there were in the morning, implying that some arrived late (or early), as it the habit of the lesser crested grey nomad, nabbing the best sites. I’m not suggesting they do it to avoid paying $3 – nobody’s that much of a tight arse.

Apex Park is reached via the Landsborough Highway west of Longreach across a series of bridges forming a long causeway across the Thompson River flood plain. The Thompson is a 3,500km long inland river that runs across channel country into Lake Eyre. While Longreach, like other western Queensland towns, has relatively low rainfall (average 450mm a year) floods are common because the many tributaries of the Thompson join and spread during heavy rain. The causeway’s 16 interlinked bridges stretch 24 kms across the flood plain, one effort to minimise flooding in the town.

We drove to the other side of Longreach for a late afternoon walk through Iningai Nature Reserve. Named after the traditional owners, this example of Mitchell Grass Downs country along the Thompson River has been allowed to regenerate since goats left it a dusty desert in 1950. There’s a fine example of a Coolibah tree, under which one can pose for the inevitable photo. The reserve is touted as a bird watcher’s paradise but we didn’t see many, maybe because night was gathering fast. Tip for bushwalkers – always carry a torch.

Onwards to the town seeking to claim the crown of South Australia’s Quorn as the country’s best known outdoor sound stage. Major films like Mystery Road and Goldstone were filmed in the Winton district. We were in Winton primarily to enjoy the Outback Film Festival, established in 2013 after the successful premiere of the aforementioned Mystery Road, starring Aaron Pedersen as a surly black cowboy detective. Some 400 people packed in to Winton’s famous open air theatre for the event, which remains the main venue for the film festival. Some films are also shown in a theatre at Winton’s rebuilt Waltzing Matilda Centre.

We saw some great films in the four days we were in Winton including Mystery Road, Sweet Country, Brothers’ Nest (starring Shane and Clayton Nicholson), documentaries (Night Parrot, Black Panther Woman and Backtrack Boys stand out), and a gory sci-fi film, Upgrade, which was a last minute replacement for That’s not my Dog.

If you get bored with the show you just look up, let your eyes adjust and take in nature’s starry, starry night. When Upgrade finished about 10.20 we were heading to bed but noticed that comedian Lawrence Mooney was doing an R18 late show at the North Gregory Hotel. Mooney came out in character as PM Malcolm Turnbull and wasted no time establishing the tone with a few swear words.

“Are there any kids here?” he asked. “If there are, f*** them off because this is an adults-only show.”

Mooney’s sharp satirical sword spared no-one; Millennials and Gen Xers copped it, so too the Greens, Labor and a few Senators singled out for special mention. Two people walked out when he made a joke about farmers and suicide and one heckler in the front row kept up such a running commentary Mooney resorted to telling her to shut the f*** up. You attend late night comedy shows at your own risk.

Grey nomads also copped a spray, although they were so under-represented in the Monday night audience there was little risk someone would take offence at his suggestion that serial killers should stop preying on backpackers and focus on grey nomads instead “because nobody cares”.

The telling part near the end of his show was Mooney asking the audience of 30-40 people how many actually lived in Winton. One woman raised her hand only to say she used to live in Winton but had moved away.

I had vague ambitions about driving out to Middleton, where Mystery Road was shot, until I figured out it was a 360km round-trip. Every place of interest around here is at least two hours’ drive away.

The Outback Film Festival, A Vision Splendid, is a bold project for a small outback community to sustain. It deserves to be supported (and you can still find time to go fossicking or dinosaur spotting).

On Wednesday night we got glammed up and went to the 100th Anniversary celebrations of the Royal Open Air Theatre, which included dinner and a special screening of the silent film classic, The Sentimental Bloke.

It meant skipping the spectacular sunsets you so often see in the flat country spreading west, but there are sure to be more as we head north to Hughenden and the Gulf country.

The alert among you will observe that this was posted on Thursday, as we’re going bush and will be out of WIFI range for a few days. I’m off to buy some block ice as our caravan fridge decided to cark it (Aussie expression meaning it died). After our visits to the Stockman’s Hall of Fame in Longreach and Barcaldine’s Australian Heritage Centre, which tell stories of the hard life of country people in the 1800s, getting by without a fridge for a few weeks is no great hardship (as long as you don’t forget to buy the ice-Ed.)

 

 

 

 

 

When desert stars disappear

Outback: No 2 in  a six-part series

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stars – Image of Charleville night sky, June 26 by Laurel Wilson’s Nikon Coolpix

I was going to be cute and headline this piece about stars, ‘Charleville’s starry starry night’, which in one tells you where I am and sneaks in one of those song references for which I am apparently known. Our plan was to visit Charleville’s famous Cosmos Centre, an observatory which takes advantage of the (usual) crisp and clear night air to show the far west’s spectacular night sky.

But you can’t count on the weather. Halfway through our second day in Charleville, 747.3 kms west of Brisbane, the clear blue winter sky began clouding over. By the time we came out of a supermarket expecting to go to dinner and then to an astral show, we found instead rain spots on the windscreen and a voicemail message from Mike at the Cosmos Centre. Tonight’s shows are unfortunately cancelled due to cloud and expected rain, he said. If you are still around tomorrow you can rebook, he added. But the weather forecast was a 90% chance of precipitation, and besides, we had to be in Blackall.

Drat, we said and went off to the RSL for the Barra special.

I was space-mad when I was a kid and so were all my mates. In 1957 (most of us were 9 or 10), the Soviets declared themselves winners of the space race (on account of launching the world’s first satellite station (Sputnik), which orbited for a couple of weeks before running out of battery power. The USA was aghast and immediately ramped up its own space programme, frantically trying to catch up to the USSR. These were the Cold War years, long before perestroika and glasnost. The US and USSR happily spied on each other and played nuclear chicken (the Bay of Pigs crisis). The US arguably won the space race in 1969 when Apollo 11 landed on the moon. Even today you will find conspiracists who say the whole thing was a con, filmed in a studio.

Do you remember Laika, one of Moscow’s stray mutts until the USSR space team captured the dog and sent into orbit? Laika was one of three dogs ‘trained’ to become astronauts. The Soviets coldly admitted that the dog would die in space (and it did), heralding perhaps the birth of the animal rights movement.

Not that me and my Kiwi school friends were thinking about such deep things, but the space race got us interested in the wider world.

Our parents were not too thrilled, though, about experiments with home-made rockets (taking fireworks apart and stuffing the explosives into toilet roll tubes).

I read up on astronomy and became something of an expert (so I thought) on the planets, their moons and even distant stars. A famous New Zealand radio quiz show (It’s in the Bag) visited our small town so I put my name down to answer questions on my special subject. Genial host Selwyn Toogood found me out, though, on question two or three which was: name the second furthest planet from earth. I said Saturn when the correct answer was Neptune. Selwyn said something like “By hokey, that’s not right, Bobby. But thanks for taking part in the fun.”

‘It’s in the Bag’ offered contestants the choice between keeping answering questions (and being gonged out), and choosing between cash or an unopened bag. Nobody knew what was inside the bag. It could have been a (voucher for) a new fridge or washing machine, or one of the dreaded booby prizes.

You will have to take my account of this episode with a grain of nutmeg as it was long ago (1958?) and these days I’m flat out remembering where I left my keys and phone.

I’ve always been a bit of a stargazer, and you can take that any way you like. When you grow up in a small country Kiwi town, the stars take their proper place in the firmament.

Australia’s outback is the best place to see the night sky. There’s no artificial light and in the winter months the colder nights mostly guarantee a crystal-clear sky.

More than a few songwriters have had a stab at describing the starry starry night, but none as convincingly as Don McLean, in his ballad about Vincent van Gogh. There are others, as I found when plundering my IPod – Dream a Little Dream of Me, Starman (Bowie), And I Love Her (Beatles). More recently Coldplay came up with A Sky Full of Stars. Moon Dance doesn’t qualify but it’s a great tune and Van is undeniably a star.

Music historian Lyn Nuttall (aka Franky’s Dad), found an example from the 1950s (I knew he would). Don’t Let The Stars Get In Your Eyes was a hit for Perry Como, but the original was recorded by the writer, Slim Willet. Lyn, who curates the website poparchives, quotes Arnold Rypens of The Originals (this is for my songwriter pals patiently waiting for their APRA cheques), who wrote of this song:

“Slim pulled a gun on Bill McCall (head of 4 Star records & publishing), forced him to walk to the bank and collect an overdue payment for royalties in cash.” 

The poets waxed on about stars, to wit the ‘mansions built by nature’s hands’ (Wordsworth). Shakespeare’s Sonnet 14 is often held up as the gold standard. But Gerald Manley Hopkins was more adventurous. He likened stars to the ‘eyes of elves’ or ‘fire folk sitting in the night sky’. Hopkins also described stars as ‘diamonds in dark mines or caves’.

That makes my ‘blazing starry nights’ (last week) seem prosaic.

We went outside at Moonie last week where there was a clear sky. She Who Knows About Such Things pointed out the Southern Cross. We both identified Venus and guessed we were about a week away from a full moon. But, as you might gather, there’s a bit of rain about in the west for the next week or so. Charleville got 10mm overnight after our star gazing was thwarted, making it 173mm for the year to date.

Out west the paddocks are dead brown and parched and we’ve already seen a couple of drovers driving cattle along the ‘long paddock’. So it would be churlish of us grey nomads to complain about a bit of rain, eh.

Next week: further west

Re last week’s episode, Ridley wrote to point out that camper trailers and other camping vehicles (slide-ons, for example), didn’t factor in our stats. Moreover, slide-ons (the camper sits on the tray of a Ute or small truck and can be dismounted), don’t have to be registered. So yes, there’s even more undocumented grey nomads out there.

 

Does a six-week outback trip make you a grey nomad

(No 1 in a series of six)

The last thing packed into the 12ft caravan we call The Tardis was a heavy duty doona, an essential item considering we’re heading west, to Charleville and beyond. Night temperatures out west at this time of year vary from -2 to 6 degrees. The days will be beautiful, though – sunny and still. I’m looking forward to the blazing starry nights.

The ubiquitous Grey Nomads, many of them temporarily migrated from Victoria, have Queensland all worked out. In the spirit of the Canadian ‘Snow Birds’, who winter over in New Mexico and Arizona, they are escaping the unforgiving cold of places like Ballarat, Bendigo and Melbourne for the stable sunny climes of west and north Queensland.

Likewise, Queenslanders tend to head south and west when the seriously humid part of summer starts.

The first thing you find when trying to research this elusive subject is that reliable data on grey nomads is hard to find.

A Sydney Morning Herald report last year surmised that grey nomad numbers had doubled in the previous three years. The latest official Tourism Research Australia figures show that caravan and camping nights are up 13 per cent on the previous year, to 11.78 million nights.

A more reliable way to get a sense of potential grey nomad numbers is to look at caravan and camper van registrations. They totalled almost 500,000 in 2017. Caravans led the way by a long margin (450,564), with 47,775 camper vans. States with the most registered caravans were Queensland, Victoria and New South Wales, each in six figures. NSW led Queensland and Victoria in camper van registrations.

Of course, these figures do not suggest that all of these vans are on Australian roads every day of the year. As caravan owners know too well, these expensive bedrooms on wheels sit in garages and carports 80% of the time. As many of you know, the old Coromal or Windsor van that has ‘done the lap’ twice is now sitting out the back, semi-permanent accommodation for a family member. It could be the adult son (between share houses), the adult daughter (between marriages) or Mum, who can still live by herself but needs a loved one checking in quite often.

Nevertheless, the call of the wild still drives tens of thousands of Aussies around the eastern seaboard or trekking across the outback. All they need is a reliable person to mind the house and pets (or take the pets with them). Or they may have sold the house to fund the road rig.

Research by Professor Jenny Onyx of University of Technology Sydney cited an estimate by the Bureau of Tourism Research that in a single year Australian retirees undertook 200,000 caravan trips of six weeks’ duration or more. The same source speculated that these numbers were set to increase greatly as more baby boomers retire.

Let’s be clear about the term Grey Nomad – it means a person of at least 60 years of age, retired and often pursuing domestic travel as a way of life. While the size of some caravans and road rigs would cause you to think otherwise, the demographic is not wealthy, often eking out stays in free camps waiting for the next pension payment.

Prof. Onyx also did research on the North American phenomenon known as ‘Snow Birds’ – North Americans who choose to winter in warmer American states like Arizona, New Mexico and Florida.

Prof. Onyx says that 220,000 retirees moved to Phoenix Arizona in the winter of 1993-1994, of which one third lived in what North Americans call RV Parks (dedicated resorts for recreational vehicles). All of which is a long way from the Aussie grey nomad, camped down by a billabong with a solar panel, a portaloo and/or a generator.

PhD student Rod Caldicott from Southern Cross University identified a growing problem for caravanners who stay on the road for extended periods. He said that while there was a 257% increase in caravan registrations between 1995 and 2005, the short and long-term capacity of caravan parks was on the decrease. Caldicott chose Tweed Shire for a case study, concluding that tent sites in the shire’s 27 tourist parks had declined by 64% since the 1970s and the number of ensuite cabins correspondingly increased. Annual caravan sites have fallen 12% between 1970 and 2010.

The advent of fly-in fly-out workers has increased demand for permanent and semi-permanent accommodation.

It’s not unusual to stay at an outback caravan park and find the washing lines full of overalls and high-vis vests.

There are a few unwritten rules if you are going to be on the road with a caravan for months at a time. The first of these is to take a break from driving every two hours. And the driving ought to be shared. It’s hard work.

The next rule is to set a constant speed – 90kmh is good, and keep a steady eye on the road behind you.

Extendable side mirrors are good, but a CB radio is better. Paint your UHF channel on the back of the van so the road train that’s following can call in: “10-4 Ned & Mary, B-triple right behind you and about to pass.”

SMH writer Sue Williams raised the common conflict between grey nomads (who seem to prefer 70kmh) and the road trains on freight deadlines. She quoted truck driver and Pilbara Heavy Haulage Girls trucking company boss Heather Jones.

Jones says she was driving a triple road train with a 70-tonne load along a highway when she came up behind a grey nomad caravan that drove at 30km/h, then 80km/h, then 30km/h. Then it stopped dead.

“It turned out they’d stopped to take a photo of a Sturt’s desert pea flower,” she says. “But they seemed to have no idea that a massive truck was behind them that takes a while to stop.”

Our photograph this week, which I’ve used before, shows our road rig next to a cattle road train. It does make you think.

We were in an auto electrician’s shop recently having a new car aerial fitted to the Ford Territory (this is a virtue signal to show we have upgraded from the green wagon in the photo). While chatting to the young fellow who fitted the new aerial, the conversation fell to reversing cameras. The Ford has one, but it’s not much use once the van is hooked up. It turns out we could buy a monitoring camera for the caravan as well. This means you could have as good a view of the road behind as the road ahead.

Or we could do what most Grey Nomads do. The husband (usually) starts backing the rig into the designated camping site. The wife (usually), stands at the back and waves her arms to indicate keep coming, keep coming, and stop! (I prefer ‘left hand down’, ‘right hand down’ etc in dulcet tones while conversing through the open car window- ‘the wife’) We’re looking forward to this jaunt – west to Charleville, then north to Winton, Hughenden and on then to Coastal north Queensland before turning for home via Townsville (go the Cowboys!) and points South. We have star-gazing, the Winton film festival, national parks, hiking, bird watching and an ongoing scrabble tournament on our to-do list.

Somewhere along the way, we’ll do what all travellers should do – schedule do-nothing days. Throw the laundry in a commercial washing machine and assign the husband to peg it out when the time comes. Sit out in the sun and read a book; take a nanna nap…

This would be the day when hubby cooks dinner, right?

 

Goodwills performing at Maleny Music Festival

The Goodwills

The Goodwills have been booked to perform at this year’s Maleny Music Festival from August 31 – September 2. Programme details will be released soon.  Our musician friend Helen Rowe will be performing with us so expect fine fiddle playing, whistling, three-part harmonies and Bob’s original songs.

Fans of our Maleny house concerts will recognise a few of the bands performing at the seventh Maleny festival. They include the Fred Smith Trio, Cloudstreet, Tin Star and Sadie and Jay (the latter will also be performing at a house concert on August 5). More on that at a later date.

Two fine local choirs will also be performing at the Maleny festival, Sweet Chilli and our own Tapestry, directed by Kim Kirkman. We (Bob & Laurel) have been members of Tapestry, a mixed acapella chamber choir, for a long time.

The Maleny Music Festival will have something for everyone, with artists as diverse as Getano Bann, Estampa, Nicole Brophy, Kevin Bennett, Martin Pearson, the Hillbilly Goats and fine Celtic bands the Barleyshakes and The Jar.

We hope to see you there. Check out the festival; and book tickets here.

 

Men who don’t cook or do housework

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Cook lamb roast photo by Vicki flickr https://flic.kr/p/4u4Dtr

This topic would not have raised an eyelash in my Dad’s era, a generation of men who did not cook or do housework. Many men of my vintage grew up in households where duties were strictly demarcated along gender lines: Dad went to work and paid the bills; Mum stayed home and did all the housework and cooking; knitting, sewing, mending – shall I go on?

We kids had chores to do – washing up, drying, putting away, feeding the chooks, collecting the eggs and so on. Dad would come home on pay day and hand his pay packet to Mum. Later on she’d give Dad an ‘allowance’ for his smokes, haircuts and the like.

Mums from this era did more than cook and keep house; they managed to harvest a lot of the household food, swapping eggs for freshly-caught fish and turning a peach tree harvest into 20 jars of preserves, for example. There were always vegies in the garden (brussel sprouts, yum), and in the pantry multiple jars of homemade marmalade, jams, chutneys, pickled onions and so on. There’s no end to one woman’s ingenuity when making a working man’s pay last a family of five.

When we came home from school there was usually something in the oven – scones, bread, biscuits. The house smelled good and Mum was nearly always there. Dinner times were a bit regimented. Dad would get up about 5 (he worked nights so had an afternoon nap) and sit in his favourite chair reading the newspaper until dinner was served at 6. It wasn’t quite the pipe and slippers routine, but close to it.

Decades later, as a result of living alone or in share houses and with women who had at least read the Female Eunuch, I evolved into what is sometimes called a ‘SNAG’.

There are a lot of us around now – some do all the cooking, bake cakes and make preserves.

If you’ve been paying attention, She Who is Ambidextrous broke her right wrist six weeks ago and although she had the plaster off last week, she’s showing little inclination to oust me from my new-found kingdom.

Like the song says, I can’t do without my Kitchen Man,” she jested, while covertly supervising the preparation of the leg of lamb. (I used a slow cooker, first searing the joint to keep the flavours in, inserting a couple of cloves of garlic and later added potatoes, pumpkin, sweet potato and onion).

This was my second attempt at a lamb roast. The first one was (we both agreed), a little dry. The recipe said cook on low for 10 hours so that’s what I did. I’m only now finding out, after six weeks of being chief cook and rice cooker washer, recipes are only meant to be a guide.

I’ll be the first to admit it takes a bit of gumption to invade the kitchen of a classy cook, although of late SWIA was showing signs of taking a break. I’m sure she did not mean that literally.

My contributions in the kitchen prior to the fracture included sausages and mash, home-made pizzas or pies and vegies for footie nights and the occasional spaghetti bolognaise.

I had precious few disasters during my tour as camp cook and one or two meals (chicken stir fry and a beef curry), drew compliments from the resident chef.

Readers will know I do other chores around the house: vacuuming, laundry, ironing and outside chores like pulling the wheelie bins up a 97m driveway or emptying the Bokashi bucket (don’t ask).

Men who do their share are usually visible (like the young hipster I saw with a baby strapped to his front and a toddler clutching his ankle, navigating a trolley down the organic foods aisle and carefully reading labels).

Such a sight could lull you into thinking 21st century men had moved on and now do their share of unpaid domestic work. Well, not really.

The invisible ones surfaced in 2016 Census data released by the Australian Bureau of Statistics – one in four men who said they did no housework at all. The Census estimated that Australian women spend between five and 14 hours per week doing ‘household work’ while men on average spend five hours. This work is mainly defined as including cooking and housework. Many more hours (up to 30 per week), are spent on unpaid household tasks like laundry, child care and shopping.

Dr Leah Ruppanner, senior lecturer in Sociology at University of Melbourne, suggests women still spend twice as much time on housework as men.

Writing for The Conversation, Dr Ruppanner said Australian Bureau of Statistics data showed Australian working women spend on average 25 hours a week doing housework (in addition to the 36.4 hours spent in full-time employment.

Men working full-time spent 15 hours a week doing housework, on top of their 40 hour week. The data was drawn from a massive but infrequent ABS Time Use Study, last completed in 2006. That data showed women to be doing the greater share of cooking and cleaning up, laundry and clothes care, child care and shopping.

The one area where men prevailed was home maintenance, with time equally divided when it came to household management and grounds and animal care.

Dr Ruppanner said women shoulder the time-intensive and routine tasks such as cooking, laundry and dishes. They are more likely to do the less enjoyable tasks (cleaning toilets and showers). The men are most often found doing periodic tasks like washing the car, mowing the lawns or changing light bulbs.

She said the solution was to bring men into the process as equal housework sharers, not ‘helpers’.

“It also means not penalising men for ‘not doing it right’.

Cleaning the house is a skill men can learn one toilet bowl at a time.”

A 2015 OECD report on unpaid work showed that Australia was relatively high up the list of gender imbalance. The study interpreted unpaid work as including housework, shopping, child and adult care duties, volunteering and other unpaid work.

Australian women completed 5 hours and 11 minutes per day with men lagging behind (just under three hours), which put us in fourth position in a poll where you’d rather be at the bottom.

The pack was clearly led by Mexico, where women spent six hours and 23 minutes a day doing unpaid work. Mexican men put in just two hours and 17 minutes. The gender gap was closest in Sweden, with women and men sharing domestic duties on a more equitable basis (3.26/2.45 hours).

Japanese, Korean and Indian men devoted the least time to domestic work (under 1 hour per day), while at the other end of the scale Danish fellas put in three hours and six minutes.

Meanwhile in Australia, this Aussie househusband is off to make a Shepherd’s Pie from the remains of the lamb and left-over vegies. Sorry, no, you’re not invited.

(Post Shepherd’s pie – and quite satisfactory it was –  SWIA)

 

The value of inner city car parks

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Image of car parks Palma de Mallorca by Timmy L (flickr) https://flic.kr/p/TR4DFC

As you’d know, one little statistic can send me off on an investigation – like the number tucked away in a Guardian Weekly report that, globally, cars are in car parks 95% of the time.

The statistic emerged in a report about a pilot scheme in Amsterdam to reward residents with a free green space in front of their houses if they give up their parking permits. The car parks pilot scheme being trialled in six streets in an Amsterdam suburb is yet another Dutch idea designed to encourage people to give up cars and switch to carpooling, public transport or bicycles.

Residents’ cars will be stored for free in public car parks and in return something ‘green and pleasant’ can occupy the designated car space. The Guardian reports a fair degree of friction over this idea. Two early adopters (who have been heckled), have already put flower-filled tow carts in front of their houses (a cosy outdoor spot to sit in the sun and have a morning coffee and a plate of warm poffertjes).

This is not the first time Amsterdam’s Stadsbestuurders have tried to rend asunder the city’s love affair with the car. Amsterdam is widely known as the bicycle capital of the world because it is relatively compact and the narrow streets and canal bridges make driving more difficult than in other cities. When I spent time in Amsterdam (wishing I could forget what I can’t remember), the city was then trialling Sundays as a no-car day. I looked that up yesterday and find that it is 45 years since Car Free Sunday was introduced. As this blog explains, something changed in the Dutch mindset when the measure was introduced in 1973 (to dampen oil consumption amid the 1970s Oil Shock).  Since then cycling with or without clogs has clearly become a lifestyle/clean environment movement.

The Netherlands leads other European cities, with 27% of all trips attributed to cyclists, a figure that has been stable for a decade. How could it be anything less when Amsterdammers own 22.5 million bicycles (1.3 per resident). Evidently Mum, Dad and the kids are in on the trend. Denmark is a close second in Europe’s bicycle stakes (0.8 per resident).

Australians are fairly keen on bicycles too, with 3.6 million using one every week, The Australian Cyclists Party says the average Australian household has 1.5 bicycles in working order, although if you wanted to be pendantic, you couldn’t ride half a bike very far. You could of course turn it into a unicycle, learn to juggle, sing and play the ukulele at the same time and apply for a gig at the Woodford Music Festival.

Digressions aside, Australians are as deeply committed to the combustion engine as the global leader (America). The latest Australian Bureau of Statistics motor vehicle census showed there were 18.8 million registered vehicles in Australia as of January 31, 2017, a 2% increase on 2016. The 2016 Australian Census showed there were 2.95 million one-vehicle households, 3.02 million households with two vehicles and another 1.50 million households with three or more. The same Census revealed that only 1.1% of Australians rode their bikes to work. The sole occupant car dominated work trips – from 65.6% in Sydney to 79.9% in Adelaide.

The notion that cars are parked 95% of the time is a figure largely calculated on public car parks which are utilised 85% to 95% of the time. Just dwell on that next time you are doing laps in one of Brisbane’s large shopping malls, waiting for a spot.

Last Saturday we went to a Queensland Ballet double bill (Carmen and The Firebird) which, I must say, we enjoyed more than the reviewer in The Australian did, apparently. There were three curtain calls.

Afterwards, we walked back to the multi-level car park where I realised (despite my disdain for automation), that I had no option but to pre-pay as there were no humans in the parking booths. The machine hungrily gobbled my $20 and dispensed the ticket. You should all know the routine by now – drive to boom gate 1, insert ticket and the boom (should) automatically rise to let you drive out.

Them were the good old days, mate

Not that I want to return to days of yore, but when we first started going to the ballet in 1988, you could quite often score a free car park somewhere in South Brisbane or West End. We’d leave home early and sometimes snag a space in Fish Lane. Ah, those were the days. Now we usually park in the Brisbane Entertainment and Convention Centre car park as it has 1,500 spaces, so is the place least likely to be full around South Brisbane’s entertainment and dining precinct. If I recall, when this complex first opened in 1996, parking 2-4 hours cost $8. That’s inflation for you.

A Colliers International white paper in 2015 predicted city parking would become more expensive in Australia, as no new multi-storey car parks were being approved. Some, in fact, have been demolished to make way for new apartment buildings. The other factor in parking becoming more expensive is that many cities now impose a congestion levy on property owners.

New technology is set to disrupt the parking business model though; one example being Divvy Parking, a digital start-up which hooks up motorists with under-utilised car parks within commercial office buildings. In late 2016, New South Wales car insurance company NRMA took a 40% stake in Divvy Parking.  An NRMA study found that 30% of urban traffic congestion was caused by people driving around looking for a car park. And, according to NRMA, a third of parking spots within centrally-located commercial buildings are under-used. NRMA Group chief executive Rohan Lund told the Australian Financial Review that smart technology would be as crucial to solving Australia’s mobility issues as bricks and mortar infrastructure.

All over the world, cities are introducing measures to thwart or discourage drivers from bringing their vehicles to the inner city. These range from London’s Congestion Charge to Madrid’s blanket ban on non-resident vehicles. Only locals, taxis, buses and zero-emission delivery vehicles are allowed within Madrid. This is not the first time the padres de la ciudad have tried to beat congestion and pollution within Madrid’s city centre. In 2005, a pedestrian-only zone was introduced in a densely-populated inner city neighbourhood.

Interestingly, there are no Australian cities named in Business Insider’s recent article on 13 cities planning to ban cars to one degree or another. Most of the cities are in Europe (Oslo, Berlin, Paris, Hamburg, Copenhagen) but also China, Mexico and South America. Many of the plans are based on making it easier to walk and cycle. Several cities are planning to build bicycle-only super-highways.

Ah well, next time I go to the ballet maybe I’ll take my half a bicycle and wobble on down to the train station. (She Who Broke a Bone Falling on the Stone Steps) “Don’t forget your helmet, dear.” More reading:

 

Little boxes – the genre-fication of music

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Old-school CD music collection by Mr Shiraz)

Yes I know it’s my fault, but early in the days of turning my music into online MP3s, I accidently chose Christian Rap as a genre for one of my songs. The song I incorrectly categorised is called 53 & Fragile, about a fellow taking stress leave to ponder his future. I guess you could rap to it, in a God-less sort of way. It only took three years to discover this error.

An enterprising blogger (Glenn McDonald) compiled a list of 1,264 micro-genres; they include goa trance, aggrotech, gabba, yellow mellow, happyhardcore, terrorcore, ghost step and Nordic house.

There are many reasons why the recorded music business is in a state of flux but I continue to believe (and I’m not alone), that the industry’s insistence on streaming music into little boxes called genres has robbed many a musician of potential fans.

As Sydney Morning Herald reviewer Bernard Zuel said of a Luke O’Shea album it is put into a box labelled Country and as a result, a great many people will never open that box. This is likely to be the case, despite someone with Zuel’s acumen identifying all manner of pop, rock and hip hop influences in O’Shea’s music.

When we released our CD, The Last Waterhole, in 2015, it was our first real engagement with online music. After labouring through the online applications (and printing out paper copies), our music was magically turned into MP3s (compressed audio files), and made available for download on CD Baby and subsequently ITunes, Amazon Music, Google Music and more.

We sold the expected number of CDs, but three years later our album has drifted out to sea as thousands of new releases come in with every second wave. Online sales are about as sporadic as our public appearances.

The indie market is cluttered with home-made CDs recorded on a laptop and flogged at markets for $10. Those with loftier ambitions engage a producer and typically spend $6,000 to $10,000, which is all very well if you can sell 500 copies at $20 each. At the high end of the game, production companies spend up to $100,000 on a CD that will jump out of the radio like a rabbit on steroids. But over a long span of time, I suspect, the listening public’s ears are getting tired of it all. There’s way too much of it, no quality control and the harsh, metallic attack of compressed digital music has taken the edge off the listening pleasure.

And, as our producer predicted, the day is coming when people won’t need to own CDs anymore – all they‘ll need is a Bluetooth speaker.

“OK, Google, play The Goodwills.”

“OK, here’s the YouTube channel for the DJ Goodwill.”

The science is imperfect, but it seems to be enough for an alarmingly large group of people, who can buy an OK-quality music-streaming speaker for a few hundred dollars. The latest research estimates the value of the global portable Bluetooth speaker market at over US$4 billion, expected to double by the end of 2025.

A few years back the grand dame of folk and blues Margret RoadKnight posted an article on Facebook from Digital Music News with the droll comment “Why I’m up for House/’Salon’ concerts!!”

The article outlined the industry’s 99 (main) problems, the key one being that musicians and artists are finding it harder to “monetize” what they do, whether performing or selling merchandise.

People have got used to free stuff and now they won’t pay unless they are very drunk and you’re giving away a t-shirt or stubby holder as well.

I asked a 20-something lad why he thought nothing of shelling out $20 for a pizza but he was reluctant to pay $20 for an album.

“Yeh, but I know what a meat lovers’ pizza is like, right? And I get garlic bread.”

“But you only get to eat the pizza once,” I reasoned. “You can play a CD over and over. A pizza won’t make you think about social issues.”

“Meh,” he said.

The Digital Music News article by Paul Resnikoff identifies issues with the method of delivering music. Streaming (subscription services which offer consumers a wide variety of music to listen to in-house but not download), continues to explode, but not enough to compensate for declines in physical CD sales and paid downloads.

We chose not to take up the offer to have our music on Spotify, a subscription streaming service, which in hindsight seems to have been a counter-productive decision. A musician friend Sarah Calderwood recently asked if we were on Spotify as she was compiling a playlist of Australian indie folk music which she planned to put on ‘repeat’.

If you have a Spotify account you can listen to Sarah’s playlist, which includes acts like Gone Molly, The Barleyshakes, Michael Fix, Women in Docs and Mark Cryle.

The independent musician, defined as a musician without financial backing, has to constantly find fresh ways of reaching new ears.

There’s a lot of indie musos around, competing with each other for gigs and CD sales. Increasingly they busk, or play for nothing at ‘walk-up’ venues which ask people to put their name on a blackboard and sing two or three songs. The artist might sell one or two CDs (if he or she is really good at making an impact and the song is up to the task). The alternative is a paid gig playing in a bar or restaurant where people go to eat, drink and talk.

Resnikoff writes that the key issue is that most consumers attribute very little value to the recording itself. They already heard the song on Spotify Soundcloud, Reverbnation, Bandcamp or YouTube.

The fractions of cents paid for streaming plays might add up to dollars eventually, but you need to keep selling ‘merch’ across all platforms.

From a financial point of view, it matters little to me that there are boxes of CDs in the hall cupboard, even if the ego grapples with the notion of relevancy.

It is a different story for people in their 20s and 30s who have decided to make music a full-time career. This involves constant touring, online management of their business and profile and (the thing nobody talks about), singing the same 10 or 12 songs every night, over and over. If you’re going for it, you have to keep churning out new material (thus consigning your older material to the remainder bin).

As one musician told me, “You have to keep putting new stuff out, even when you know it won’t pay for itself, otherwise you get forgotten about.”

House concerts, and we are long-term supporters, are a sure-fire way of giving musicians a listening audience. Even if only 20 people show up, it’s a better result financially and aesthetically than a rowdy Friday night pub gig. Audiences love the intimacy and the musical and lyrical nuances that are often lost in noisy, amplified venues. We’re hosting our 110th house concert on June 10: check it out at

And the homemade afternoon tea on offer is guaranteed to be yummier than a meat lovers’ pizza and garlic bread.

Further reading: How Music Got Free, by Stephen Witt.

 

An eye for an eye – sports injuries and brawls

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Eye chart image courtesy of Community Eye Health, CC https://flic.kr/p/cenNDu

The news photo of rugby league player Dylan Walker’s fractured eye socket made me feel anxious, like I get when I have an eye infection or it’s time for the annual glaucoma test. If I cover my left eye with my hand, I can navigate my way around the house, but that’s about it. No reading, watching TV or movies; definitely no writing, although I know vision-impaired people who have found ways around reading and writing.

What the auld aunties called a ‘gleyed ee’ or lazy eye was diagnosed in the late 1940s. I don’t remember wearing an eye patch when I was two, but I’ve seen the photos. It didn’t work. I say this only as an explanation if you passed me in the street and I did not say hello, it is possible you passed by on my right side.

Yes, so a serious injury to my left eye would probably see me lining up for the blind pension, although as I understand it, the aged pension replaces the (non-means tested) blind pension when the recipient reaches retirement age. An essay for another day, perhaps.

Last week the Australian Institute of Health and Welfare and Flinders University produced a report on eye injuries in Australia. The report shows 51,778 people were hospitalised due to eye injuries in the five-year period, 1 July 2010 to 30 June 2015. Two thirds of these were males. Falls (35%) and assaults (23%) were the most common causes of eye injuries. The most common type of eye injury was an open wound of the eyelid and periocular area (27%).

However, the report also showed that 86,602 people presented to an emergency department with an eye injury in the two-year period, 1 July 2013 to 30 June 2015. Only 1% of these cases (866) were admitted to hospital.

Sports-related eye injuries were seemingly uncommon by comparison, with just 3,291 males and 595 females reporting that the injury was sustained while participating in a sporting activity. However, information on what activity resulted in the injury was not reported for 69% of cases, so this is likely to be an under-estimation.

Of the known causes, more than one-third (37%) of males were participating in a form of football when they sustained an eye injury. Trail or general horseback riding (12%) was the most common sport-related activity resulting in eye injury reported by females. Over half (55%) of the sports-related cases resulted in an orbital bone fracture.

Such was the case during the Melbourne Storm-Manly rugby league game when a melee turned into a serious scrap between Manly’s Dylan Walker and the Storm’s Curtis Scott, with Scott throwing several punches, one of which broke Walker’s eye socket. Scott was sent off – red-carded as they say in soccer. Walker was given 10 minutes in the sin bin (for throwing a punch) and then had to be assessed for a head injury. Manly player Apisai Koroisau was also sent off for 10 minutes for running in and throwing a punch at Scott.

The National Rugby League (NRL) has been cracking down on such behaviour – Scott was the first person to be sent off for punching since 2015. All rugby league players know if they throw a punch they will at least be sent to the sin bin; angry flare-ups in recent years have tended to be of the push and shove variety.

But whether you follow rugby league or not, it was a bad look, for the sport and for all sports. Imagine the conversations over breakfast.

“Right, that’s it,” says Mum, whose son Billy (8) has been pestering her to play footie. “If you want to play sport you have two choices – soccer or table tennis. Those league blokes are thugs.”

Discussing the Manly/Storm fracas on the Sunday Footie Show, former Jillaroo Allana Ferguson commented: “If they did that in King’s Cross on Saturday at midnight and someone was injured they’d be off to jail.”

She makes a valid point.

A study last year by Dr Alan Pierce from La Trobe University found that repeated concussions in rugby league players have a long-term effect. He compared 25 former league players in their 50s with a control group of a similar age. The men carried out cognitive tests to measure memory and attention spans and dexterity tests to assess motor skills.

“What I’ve found is that the responses of retired rugby league players were significantly different to the healthy controls with no history of head injury,” Dr Pierce told the ABC.

The NRL took steps in 2015 to introduce mandatory head injury assessments (HIA), where players who have suffered a head knock have to leave the field for 15 minutes and be assessed by a doctor. If found to be concussed, they are not allowed to return to the field that match. An NRL injury surveillance report by Dr Donna O’Connor found that head injury assessments increased from 210 in 2015 to 276 in 2016, largely due to strengthened concussion guidelines. Sixty-six per cent of these cases were cleared to continue playing in 2016, compared to 54% in 2015.

If you have seen the excellent Will Smith movie Concussion (about brain injuries in American football), you may well ask why it took the NRL so long to act.

Cheek and eye socket fractures are common injuries in rugby league. They come about through (accidental) contact in tackles, as big bodies collide. Sometimes it happens through ‘friendly fire’ collisions with teammates.

Such was the case with Broncos forward Josh McGuire, whose injury in 2011 required surgery and he is now effectively blind in one eye.

Sports Medicine Australia says the incidence of sports-related eye injuries is low, but severity is usually quite high, as injuries to the eye can result in permanent eye damage and loss of eyesight.

“Research has shown that 30% of sports-related eye injuries in children have the potential for permanent loss of eyesight.

“A blow to the eye from sporting equipment, fingers or balls can lead to injuries ranging from lid haemorrhages or lacerations, corneal abrasions, retinal detachments and hyphaema (bleeding inside the eye) to permanent loss.”

Rugby league is rated a ‘moderate’ risk sport (in relation to sustaining eye injuries) compared to high-risk categories including baseball/softball, basketball, cricket and racquet sports. Any sport that involves small projectiles moving at speed is considered high-risk.

Our family GP once told me most serious eye injuries he had encountered were caused by squash balls and champagne corks.

If you lose an eye, the alternatives are an ocular prosthesis (a glass eye) or an eye patch, the latter having a bad press courtesy of movie bad guys. Think John Wayne’s bullying Rooster Cockburn in True Grit, Adolfo Celi’s menacing Emilio Largo in Thunderball, or John Goodman’s itinerant bible salesman Big Dan Teague (O Brother Where Art Thou).

If it came down to it, I’d opt for a good quality prosthesis, although the price (from $2,500), makes a $10 eye patch look like a bargain.

I’d make it a different colour just because I love that line in the Paul Kelly song about falling for a girl with different coloured eyes.

In the meantime, I will keep wearing Australian Standard safety glasses when I mow the lawns or use the brush cutter. You should too.

 

Tin Star at Goodwills’ house concert June 10

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Tin Star (l-r) Dan Grant, Penny Boys, Cathy Bell

Brisbane trio Tin Star make their Goodwills’ house concert debut on Sunday June 10. Penny Boys, Cathy Bell and Dan Grant are a Brisbane-based trio who have been performing at folk clubs and festivals since joining forces 18 months ago. Hinterland music fans may have spotted them playing at last year’s Maleny Music Festival and rumour has it they will make a return visit in late August.

In the interim you can enjoy this trio, whose music is a little bit folk and a little bit country but like their idols, Gillian Welsh and David Rawlings, meets somewhere in the middle.

Penny and Cathy were members of the popular Brisbane group The Poachers while Cathy and Dan have been long-time collaborators with Brisbane songwriter Mark Cryle. Cathy plays fiddle and accordion, Dan plays guitar and both provide harmonies for Penny’s distinctive, mellifluous voice.

Tin Star has been working on original songs for a debut album while performing at festivals including Wintermoon (NQ), Turning Wave (Yass), Music by the Sea and the West End Sessions. Last year the trio performed at the Neurum Creek and Maleny music festivals.

Here’s a live sample from the Wintermoon festival

The concert starts at 2pm on Sunday June 10 with a set from your house concert hosts, The Goodwills, often heard on Australia all Over.

Admission is $15 and bookings are essential. Afternoon tea will be available. For bookings contact Laurel goodwills (at) ozemail.com.au.

This concert follow a sold-out show by Cloudstreet on April 22. Our house concerts are popular and we have a limited number of seats so if you would like to book, email Laurel or use the contact page on this website.

We have one more concert scheduled for 2018 with the entertaining folk duo Sadie and Jay, currently touring in the UK.  They will perform on Sunday August 5. Check back later for details.

Whipping up a dust storm in D

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Dust storm obscures Sydney Opera House, September 2009. Image by Janet Kavanagh, NSW Maritime, CC

While innocently vacuuming never-ending dust this week, I accidently sucked up the D harmonica which was lying on the coffee table. Said harmonica emitted a plaintive sound, closely resembling the wheezy noise of a piper warming up (think, You’re the Voice, Eric Burden’s Sky Pilot and that AC/DC song about it being a long way to the shop if you want a sausage roll).

Alarmed (these little blues harps cost $45 a piece), I managed to grab one end before it disappeared into the dusty bowels of the 10-year-old Wertheim. After a short struggle and a discordant approximation of the intro to Blowin’ in the Wind, I freed the harmonica and continued on my merry way.

Most household tasks have fallen my way since She Who is Ambidextrous (SWIA) broke a bone in her wrist, although to be serious, using the vacuum cleaner has always been one of my chores. This machine has seen better days, but it still does the job. The broken hose is securely held together with gaffer tape and a pair of chopsticks. A while ago I priced a replacement hose at a vacuum cleaner shop (I could have bought a budget-level machine for the same money). The enterprising young lad managed to side-track me to a really up-market vacuum cleaner which, I discovered after a 20-minute spiel, cost $1,799.

“I could buy a 20-year-old Toyota Corolla for that sort of money,” I said, “Nice try, kid.

I went out of the shop happily humming ‘I love my Toyota Corolla, aha hah,’* having spent no money at all. Instead I went to one of those big red and green barns and bought a roll of gaffer tape.

Maybe 36 years ago (or more), I succumbed to a sales pitch when a colleague sent his uncle around to sell me a vacuum cleaner. I had been telling this colleague how the old machine was seriously incapable of sucking up not only dust but hair and dander from a Golden Retriever.

So Uncle Harry called around, to demonstrate the superior dust sucking power of a top of the line Electrolux, in the days when top quality appliances were manufactured here and sold door-to-door with a five or even 10-year warranty.

I bought the Electrolux on time payment, because that was the only way to finance such an extravagant purchase in those impecunious times.

I’ve earned a few million (sic. Ed.) dollars since then and that old machine refuses to die. It’s now the ‘downstairs’ vacuum cleaner, although I’ve been known to use it upstairs when (as is a common problem), temporarily unable to source the right-size dust bags.

“That old thing still does the job,” said She Who Told Me in Week 3, “I Don’t Vacuum”. (My Dr. said I shouldn’t vacuum- bad for the back. Ed.)

A while back, when the tiler had finished laying tiles in our downstairs rooms I (without thinking), took the Electrolux out and started sucking up tile dust. It was the smell that alerted me – smoke pouring out the top of the machine. The bag was chockers. I let the Electrolux cool down, put in a new bag and what do you know, it continued on untrammelled, a glass half full version of the Millennial expression, “This sucks”.

I’m completely sure no manufacturer today could produce a vacuum cleaner (or any appliance), that would last 36 years and more.

This line of thinking led me to research robotic vacuum cleaners, which can be bought for as little as $129 or as much as a 20-year-old Toyota Corolla. Choice magazine generally gave all models the thumbs down when marking them on the capacity to extract dust from carpet.

The intelligent vacuum cleaner does a pretty good job on hard floors, although why you’d prefer a round model over a square one (to get into those nasty little corners that harbour ancient dust), is a mystery.

The perplexing thing is this: where does dust come from and why does it settle again after one pass with a vacuum cleaner? As Quentin Crisp said in The Naked Civil Servant: “There is no need to do any housework at all.After the first four years the dirt doesn’t get any worse.”

Dust mites and chronic allergies

I will acknowledge to being a little bit fussy about vacuuming, ever since the allergist did the pin prick tests to show I was hyper-allergic to dust mites. On first discovering this in the 1990s, we hired a heavy duty industrial vacuum cleaner and paid an agile friend to clean the crawl space in the attic of our 60-year-old house. After the fourth big black garbage bag was passed down the ladder to the respirator-wearing assistant, our friend declared that was one job he was never doing again.

It’s not too hard to find out the answer to the question, where does dust come from? Science Daily surmises, not so surprisingly, that most house dust comes from outside. The scientists developed a computer model that could track distribution of contaminated soil and airborne particulates into residences. They found that over 60% of house dust originates outdoors. The study by the American Chemical Society found that contaminants like lead and arsenic can find their way into homes via airborne dust.

Researchers David Layton and Paloma Beamer found that household dust included dead skin shed by people, fibres from carpets and upholstered furniture and tracked-in soil and airborne particles blown in from outdoors.

The 2009 report mentioned above came out in the same year a 500 km wide dust storm the colour of Donald Trump’s complexion swept across New South Wales and Queensland. The Australian capital, Canberra, experienced the dust storm on September 22 and a day later it reached Sydney and Brisbane. Thousands of tons of dirt and soil lifted in the dust storm were dumped in Sydney Harbour and the Tasman Sea. Ah yes, you remember that.

Random dust storms aside, the real culprit feared by those suffering from asthma and hay fever is the dust mite. Scientists agree that dust mites thrive among the aforementioned dead skin discarded by humans and pets. The dustier your mattress and pillows are, the worse the problem gets. As this fascinating but skin-crawling article says, there could be between 100,000 and one million dead dust mites (and mite dung) lurking in your bed. Ugh!

What you need to do, every time you change the sheets, is to strip the bed, hang the bedding out in the sun then attach the nifty little mattress cleaner that may or may not have come with your vacuum and give the mattress a good flogging, so to speak.

Or you could buy a robot vacuum cleaner and instruct it to spend all afternoon roaming around on the bed:

As Hal said in 2001 A Space Odyssey: “I’m sorry (Bob), I’m afraid I can’t do that.”

*(a reference to Tiffany Eckhardt’s love song to her Toyota Corolla)  

FOMM back pages/related reading: