Australia Day and the Highland Clearances

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Image: Ruined croft houses on Fuaigh Mòr in Loch Roag. The island was cleared of its inhabitants in 1841 and is now used only for grazing sheep. Wikipedia/Sarah Egan CC.

Australia Day came and went and alas, not once did I think about my birthplace, Scotland, or the country where I spent my childhood (New Zealand). The older I get and the further away from my Citizenship Day ceremony (January 26, 2000), the more it seems I have assimilated.

I do not mean assimilate in a flag-wearing, gum boot-tossing, beer-swilling, ‘It-was-in- the-‘Stralian-so-it-must-be-true’, sense.

Regardless, it is some admission from an iconoclastic alien, someone who had to be repeatedly pressed by the family lawyer to become an Australian citizen. Prior to 2000, I was a British citizen with permanent resident rights in New Zealand. I held an EU passport (what a relic that soon will be), with a return visa which over the years saw increasingly stringent conditions attached.

In the 1970s, when we first set off from New Zealand on our “OE” (overseas experience), we did not need a passport at all. When leaving New Zealand to visit Australia, we just filled in a two-sided visitor card; on which as it became apparent, too many people entered fictitious details.

Immigration Minister Ian McPhee introduced passports for Trans-Tasman travel in July 1981. The main aim was to stop abuses of the Trans-Tasman Travel Arrangements.

Until that time, Kiwis and Aussies were free to travel back and forth to either country to live, work, play and inevitably meet their life partners and settle in one country or the other.

The evidence of this is seen in Census statistics which showed that 518,466 people born in New Zealand were living in Australia on Census night 2016.  Conversely, 62,712 Australians were domiciled in New Zealand on their Census night in 2013.

While it may now seem like folklore, the free and easy Trans-Tasman arrangement fell apart due to revelations about the Mr Asia drug syndicate run by ruthless Kiwi criminal Terry Clark. 

He was 2IC of the syndicate in the late 1970s, but rose to the top by ordering the killing of syndicate head Marty Johnstone. The influence Clark and his couriers had on importing heroin into Australia has been well-chronicled. The sordid story was also dramatized in Channel Nine’s Underbelly series.

The years between 1978 and 1983, when Clark died in a British prison, were trying times for law abiding, adventurous Kiwis who travelled across the ‘Dutch’ to work. Young Kiwis thought of Australia as the equivalent of eight countries (six states and two territories), with six times more people, hence unlimited job opportunities. They were escaping New Zealand at a time when unemployment was around 7%.

Australia’s unemployment was also high, but New Zealanders came looking for jobs with a built-in reputation for punctuality, honesty and hard work, Terry Clark notwithstanding.

When I became an Australian citizen on Australia Day 2000, I’ll admit I went into it a trifle blasé – for me it was a necessary formality. But the event in Brisbane Town Hall brought out a lot of emotions as I realised, in company with 699 others, many of whom were refugees, that for some people this ceremony was literally life-saving.

So to Australia Day 2020 and I’m watching the Wugulora Morning Ceremony on ABC TV. It is being held on the lawns of Sydney’s best-known waterside location, Barangaroo.  As an armchair viewer, I was immediately touched by the dancing, singing and ceremony, not to mention appropriate speeches by NSW Governor Beazley and NSW Premier Gladys Berejiklian.

For me, the televised spectacle was exemplified by a young Aboriginal boy holding aloft two flags – in the right hand the Commonwealth’s symbol of colonial power and in the left the red, yellow and black Aboriginal flag. There was a decent-sized crowd there on the foreshore and the overall impression was one of peace, reverence and inclusion.

Elsewhere in Sydney that day, 10,000 [people marched to protest ‘Invasion Day’, the central tenet of which is that Australia Day should not be held on the day Queen Victoria’s vassals took the country by force.

As someone who was not only born in Scotland, but can trace ancestry back through the same small coastal fishing village to the 1700s, I should know more about the Highland Clearances or the ‘eviction of the Gaels’ than I do.

The eviction of rural tenants between 1750 and 1860 was driven by Scottish lairds, some of whom may have been English or at least owed money to the English. They drove the changes to increase their income and pay off debts.

Previously, farms were run on the runrig system of open fields and shared grazing. These collectives were replaced with large-scale pastoral farms stocked with sheep. Rents were much higher, with many displaced tenants forced into crofting communities, to be employed in fishing, quarrying or the kelp industry. The sudden demotion from farmer to crofter caused much resentment.

Between1815 and the 1850s, as a result of famine and/or collapse of crofting industries, crofting communities lost the means to support themselves.  Assisted passages became commonplace, with landowners paying for their tenants to emigrate.

Some of this sounds a little bit like the oppression of Australia’s Aboriginal people, dispossessed and eventually herded into State-run settlement or missions.

Census papers list my forebears’ occupations as ‘agricultural worker’, ‘crofter’, ‘railway gatekeeper’, ‘flax mill worker’ or ‘labourer’. There is a high school teacher in the family tree, but in the main the Wilsons were working people and for centuries stayed in the one place. That is until my Dad had an epiphany and started looking for work in another country under the ‘assisted passage’ scheme. We missed out on going to Ontario for reasons which were never discussed with mere children. Instead, we were booked to sail to New Zealand in the southern winter of 1955. We arrived in Wellington and then took a night train to a small town in the centre of the North Island.

Bob’s song, Rangitiki

This week we watched the documentary, Gurrumul, a unique glimpse into the late indigenous singer’s life in a remote Arnhem Land community. Gurrumul became famous the world over, singing his own songs and stories in the Yolngu language. He touched people with his music, even when they did not understand the lyrics.

According to custom, the Yolngu people request that the names and images of tribal people not be used after their deaths. In Gurrumul’s case, they made an exception.

In a similar vein, Scotland has produced numerous bands that sing in Gaelic, including Manran, a band that recently toured Australia. I find myself moved in a spiritual way by Gurrumul’s music just as the often patriotic songs of modern Gaelic bands give me goose bumps. We don’t understand the content but we absorb the emotional message.

I’m never sure how many people actually look up links, although I must recommend  the intriguingly-named Red Hot Chilli Pipers. I will leave you with this snippet from this energetic nine-piece band.

As always, the skirl of the bagpipes sends shivers down the spine and brings goose bumps to the forearms. Once a Scot always a Scot.

Red Hot Chilli Pipers

The back roads to Canberra and musical reunions

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The Fagans – a musical reunion (L-R) Bob Fagan, Nancy Kerr, Margaret, Kate and James Fagan

When we planned a 2,500 kms round trip to the National Folk Festival via the back roads to Canberra, it seemed like a monumental expedition. Now that we’re home again (via Dubbo and Goondiwindi), it seems a weak effort compared to the distances travelled by overseas guests including Manran (Scotland), Nancy Kerr and James Fagan (UK), April Verch (US), George Jackson (US) and Vila Navio (Portugal).

For example, George Jackson committed himself to a 35,000 km round-trip, flying with his two other band members direct from Nashville to LA (3,218 kms). From there, they flew to Sydney (12,065 kms) then by road to Canberra (286 kms). After arriving in the late afternoon, there was barely time to eat and rest before the first gig at 11pm on Saturday night. Such is the peripatetic life of a professional bluegrass musician.

While the musicians involved in more than 120 acts were wending their way to Canberra, we chose mostly secondary roads, including an excursion through the verdant Bylong Valley in New South Wales between Denman and Bathurst.

At times I wondered if we would get there. We were towing a caravan, albeit a small one. The winding mountain road on either side of the Bylong Valley was particularly challenging. There were hairpin bends, one way bridges, narrow sections where two cars scarcely had room to pass by. Not to mention frequent signs warning of fallen rocks (and we did see a few on the sides of the road).

My main mission at the five-day National Folk Festival was to catch every concert by the fabled Australian family band, The Fagans, re-uniting for the first time in three years. Bob and Margaret Fagan and their adult children James and Kate are these days joined on stage by James’s partner Nancy Kerr. James and Nancy live in the UK, where Nancy has established a strong solo career. It reached a high point in 2015 when she was judged BBC Folk Singer of the Year.

I caught up with James for a chat and started by commenting that his guitarist Dad (Bob) gets a real charge out of playing opposite his adult son (who plays bouzouki)

“Yes it is quite obvious, isn’t it? He revels in it. I wouldn’t say the music is secondary, but looking across the stage and seeing Margaret and then his two kids singing in harmony, it still visibly moves him and he talks about it openly.

“When we were children we just wanted to be doing a slick and professional show. But as I’ve got older and I’ve got children I completely understand that there are some things more important than being professional. It’s still very valued in the folk world – being yourself and being true to your story.”

That elusive musical quality emerged when the Fagans employed four-part acapella singing. Their stirring version of Alex Glasgow’s Close the Coal House Door and its third verse about the Aberfan colliery disaster raised ‘goosebumps’. The refrain “Close the coal house door, lads, there’s bairns inside” references the 1966 disaster in Aberfan, Wales, when a colliery slag heap collapsed on a school, killing 114 children and adults.

Folk songs often tell real stories and some don’t pull punches, like British leftie songwriter Leon Rosselson’s hard-hitting The World Turned Upside Down. The song tells the story of The Diggers, a ragtag group of latter-day socialists who in 1649, after the execution of Charles I, occupied the land at St George’s Hill in Surrey. They believed that the land could now be used to establish collaborative farming communities. It is supremely ironic that today, St George’s Hill is an enclave of the super-rich; lavish mansions and acreage estates owned by Russian oligarchs, TV personalities, film stars and rock musicians, not to mention the landed gentry.

You might know the song through the 1984 version by Billy Bragg, but my preference is the Fagans singing this socialist anthem in four-part harmony.

James and his sister Kate started performing with their parents in the late 1980s while in their early teens. From performances at Sydney folk clubs, they graduated to the Maleny Folk Festival (before it grew too big and went to Woodford). James had just left high school when the group recorded their first album, ‘Common Treasury’, in 1991.

Some 28 years later, James and Nancy and their two children travelled 10, 662kms from Sheffield in the UK to the Blue Mountains. Not to mention a 600 kms round trip from the Blue Mountains to Canberra.

Yes, the trip was worth it; a family reunion, a musical reunion and time for Bob and Margaret to spend time with their grandsons Harry and Hamish. The latter appear to be following the family tradition, sharing the stage with James and Nancy, to perform ‘Mr Weather’. Nancy said the children deserved to be there because “they totally gave me the idea for this song”.

James and Nancy recently recorded their first duo album in a decade, a live album, ‘An Evening with Nancy Kerr and James Fagan’.

“The time’s not been idly spent,” James said of the past 10 years. “The last (duo) album came out in 2010, a big departure for us, as it was all songs and tunes written by ourselves.

“At the same time that album emerged, so did our first child, Hamish, and that required us to give up the lifestyle of living on a narrow boat and being troubadours and river gypsies.

“It was a big life change. The children came along, we moved into a house, we formed a new band and started diversifying what we did so one of us could be home.”

James reckons he has been to the National Folk Festival at least 20 times and fondly recalls scoring his first professional solo gig there when he was just 18.

This was also the case for bluegrass fiddle player George Jackson, who also enjoyed this year’s festival as a family reunion. His parents made the journey from Alice Springs to attend the festival and spend time with him. Mind you, it’s hard to pin down a dedicated musician at a music festival – they are usually picking up extra gigs. For example, George and two other bluegrass musicians stepped up for a spontaneous gig with songwriter John Flanagan.

It might have seemed like a jam, but when musicians of this calibre get together, magic things happen.

There were other highlights among the 150+ acts at the NFF including Scottish band Manran and their Scottish Gaelic songs, the virtuosity of instrumental band Kittel & Co and their marriage of Celtic music, bluegrass and classical, and the innovation of original Portuguese band Vila Navio.

Rounding out this eclectic festival, I was fortunate to catch one of comedian Martin Pearson’s daily ‘Brunch’ sessions where he trades barbs with guests. Singer and debater John Thompson was the guest that day. They traded Catholic school day experiences at the hands of teachers like Pearson’s “Sister Genghis”.

Amid a hilarious skit “how to wash a cat” they were interrupted by a loud ‘ting’ as one of Canberra’s brand-new shiny red trams arrived nearby.

“It’s not a tram,” said Thompson, crossly. “Trams share the road with other traffic. This has its own dedicated track. Therefore it is not a tram, it is light rail.”

I asked John about this later and he emailed me yesterday.

“There is some disagreement online about this distinction.

All trams are light rail, but only light rail that features “street running” can be called trams.

“The Canberra light rail only has “street running” at a couple of corners – it’s not a tram!”

 

That’s the thing about folkies – they have strong opinions.

Friday on My Mind –Ring Christmas Bells And Other Carols

Tapestry choir leader Kim Kirkman usually introduces our version of Carol of the Bells by mentioning that it featured in the soundtrack of the 1990 movie, Home Alone. This brought back memories of the parlous times in 1990 when media baron Rupert Murdoch nearly went broke. Yes, he nearly did, back when News Ltd’s total debt was a scary $7.9 billion (this was 1990, remember). What saved Murdoch was an agreement between 146 banks that refinancing was a better solution than the collateral damage from a collapsing global media empire.

The other thing that saved Murdoch was the box office success of the Christmas movie, Home Alone, starring Macaulay Culkin. Home Alone became the highest grossing Christmas movie of all time (adjusted for inflation) taking $US477 million in box office sales world-wide, against a film budget of $18 million. Murdoch’s Twentieth Century Fox was the beneficiary of the film’s success. As a recently-employed journalist, I wrote a piece stating just that (News Ltd saved by Home Alone).

The movie spawned four sequels, none of which achieved the heights of the original.

As we all now know, Rupert Murdoch’s foray into film, television and satellite TV paid off. The timely acquisition of 20th Century Fox in 1986 helped Murdoch achieve more fame and fortune via a then unknown animated show, The Simpsons. Launched modestly in December 1989, The Simpsons is still going strong, 649+ episodes later.

As one of the most popular TV shows on Fox Broadcasting, the creators of The Simpsons repeatedly got away with satirising the Fox Network. Animator David Silverman is said to have based the appearance of Homer’s boss Montgomery Burns on Fox chief Barry Dillon, using the body of a praying mantis as a model. Monty Burns is the fictional owner of Springfield’s nuclear power plant, a greedy tycoon who exploits his workers and can rarely remember their names. Hmmm, as Marge Simpson would say.

The crew of Sunshine Coast radio station Hot91 were asked to rate favourite Christmas movies for a feature in the Sunshine Coast Daily’s Weekend Magazine (also owned by Rupert Murdoch). All three DJs rated Home Alone, along with other candidates including The Grinch, Bad Santa (execrable-Ed.), National Lampoon’s Xmas Vacation, Elf, Santa Clause and Love Actually. The latter is cerebral and worth watching but I remember Home Alone as being deeply silly with some dangerous-looking stunts.

Christmas songs often get written about at this time of year, which is hardly surprising as you rarely hear them between January and November. Last year I ranked my top 12 Christmas songs (only three of which are carols).

As a member of a choir, you are expected to sing Christmas carols, which almost always lend themselves to harmonies. Our choir Tapestry racked up five performances this month, which is some kind of a record. As a serious chamber choir, we mixed it up a bit, from the ancient (Veni Veni, a Gregorian chant in Latin) to an irreverent piece about Christmas excess (The Banquet Fugue), and a short protest song (‘The Wrong Present’ aka ‘Don’t sing me Christmas Carols anymore’). We did a good job of the Little Drummer Boy and worked an uplifting key change into the last verse of Handel’s Joy to the World.

Thankfully, Kim elected to stay away from the tedious (12 Days of Christmas) and the seasonally irrelevant (White Christmas and Frosty the Snowman), although we did perform Rudolph and We Wish You a Merry Christmas for those who might have been thinking we were being a bit too precious.

This month She Who Sings O Holy Night (that was in Home Alone too), with me in tow attended quite a few Christmas parties where carol books were handed out. I got chatting to a chap who was hovering out in the kitchen (my usual retreat at parties). We discussed why people are so attached to these songs, so many of which are deeply pious, with their references to the Virgin birth, three wise men, the holy infant and home birthing in a stable.

Statistics on religiosity are unreliable; even though the 2016 Census tells us that only 52.1% of Australians identify as Christian, it is an optional question, which 9.1% chose not to answer. Otherwise, 30.1% answered ‘no religion’ and 8.2% nominated a faith other than Christian (including 2.6% or about 630,000 people, who follow Islam).

You will find other surveys which suggest that Christianity is in decline and that Australia is becoming more secular. Which begs the question why people who probably last entered a church for a wedding or funeral will happily sing along with Good King Wenceslas and Oh Come all Ye Faithful. Ah well, it is all about peace, love and goodwill so what’s not to like.

As you might suspect, however, I prefer Christmas songs that take the piss. This year’s award goes to Keir Nuttall’s classic Christmas Landfill, performed here by Keir and his partner Kate Miller-Heidke. The combination of a sweet Christmas melody and Keir’s satirical lyrics (‘fleeting joy will never decompose’) is just perfect, moreso with the help of superimposed lyrics. This video also includes KMH’s cover of Tim Minchin’s White Wine in the Sun.

I should follow this with a reassurance that I’m not dissing Christmas or the joy it clearly brings so many people. You can tell how serious I am by the inclusion of this video of Tapestry performing The Little Drummer Boy, The women had the melody, so the job for the basses and tenors was to imitate drums (hence heads buried in scores).

I should also clarify my remarks about Christmas carols and religious music in general by observing that the charismatic church Hillsong has produced Australia’s best-selling CD on a fairly regular basis. Sydney Morning Herald reviewer Bernard Zuel harshly but probably accurately described Hillsong’s 2015 Aria winning album Empires as a ‘churchy songbook sung by mostly anonymous faces scrubbed clean of any travails’. Nonetheless, the album sold 7,000 copies in its first week of release, 2,000 more than the debut solo album of former Silverchair songwriter Daniel Johns. Go figure.

Since we exposed you to Tapestry’s version of the Little Drummer Boy, let me leave you with this version by Johnny Cash and Neil Young.)

Merry Christmas from FOMM. Take care on the roads (said he who got a ticket in the mail from NZ). 

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Multiculturalism under siege

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Monument to Multiculturalism in Toronto, a sculpture by Francesco Perilli. Photo by Shaun Merritt https://flic.kr/p/5d7sTp

My plan to write something cuddly and wholesome about Multiculturalism Month in Queensland was derailed somewhat by the egregious maiden speech of crossbench Senator Fraser Anning.

One of our newest politicians, he chose his maiden speech to call for a return to the White Australia policy, suggesting that a plebiscite be held to ask Australians if they want ‘wholesale non-English speaking immigrants from the Third World and, in particular, whether they want any Muslims’.

Politicians who make incendiary speeches are often misquoted, so this is exactly what Senator Anning had to say about Muslims.

“A majority of Muslims in Australia of working age do not work and live on welfare. Muslims in New South Wales and Victoria are three times more likely than other groups to be convicted of crimes. We have black African Muslim gangs terrorising Melbourne. We have ISIS-sympathising Muslims trying to go overseas to fight for ISIS and, while all Muslims are not terrorists, certainly all terrorists these days are Muslims. So why would anyone want to bring more of them here?”

He said a lot of other things too; about countering the growing threat of China both outside and within Australia; about building coal-fired power stations to return us to the cheapest power in the world, and about (ahem) restoring personal freedoms and free speech.

The thing that outraged many, however, was his use of the words, ‘the final solution’, made infamous by the Nazis in WWII. Senator Anning seems unrepentant, amid claims the speech was deliberately structured to be controversial and raise his profile. He claims the use of the term “final solution” (the Nazi regime’s euphemism for exterminating Jewish people), was “inadvertent”. But he has not backed down, saying the outrage is coming solely from political opponents.

The counterpoint to Senator Anning’s divisive speech was a plea for consensus by the Member for Chifley, Hon Ed Husic. His response in Parliament described the experiences of his Bosnian parents, who came to Australia in the 1960s.

“My old man worked on the Snowy Mountains scheme. Dad worked with his hands and Mum stayed home to make sure we had a family that could take advantage of all the great things in this country.

“Like many kids of migrants, I carry a debt – a debt of gratitude to this country that we were able to achieve this. I went to university. I could count on one hand the numbers of folks in my family or from my Dad’s generation that got to do that. Now I get to serve in this place (Parliament) and regardless of my faith, my commitment to the community is what I’m judged on.”

Opposition leader Bill Shorten weighed in, saying  “…As leaders, as representatives of the Australian people, as servants of diverse communities in a great multicultural nation, we cannot stay silent in the face of racism.”

Even former MP John Howard condemned the tone of Anning’s speech, which is a bit rich coming from the bloke who introduced the One Australia policy in 1988, which called for an end to multiculturalism (and opposed a treaty with Aboriginal Australians).

Anning might not have read the spray in the Tweed Daily News from Australian-born journalist Charis Chong, who said that although she drinks all kinds of Australian beer and has a Weber in her backyard, “I’ll never be Australian enough”.

She talks of her negative experiences as an Asian Australia, but also her true friendships with people who don’t talk about assimilation – “they are just nice, decent people who appreciate each individual person for who they are.

“The problem with Senator Anning’s comments is that they seek to exclude people from ever being good enough to be ‘Australian’ simply because they don’t look ‘white’ or want to practice a certain religion.”

Katharine Murphy writing for The Guardian warned that the Anning speech was a sign that Australia was being caught up in global nationalist debates.

What we are witnessing in national politics is the latest manifestation of Australia’s cultural cringe. Far right political operatives, and the media voices prepared to give them succour, are importing the nationalist debates that have sprung up in the shadow of the global financial crisis.”

Murphy is correct in saying that debates about race, multiculturalism, sovereignty and immigration have flared up elsewhere because of deep resentments felt by the losers of globalisation. While Australia was not as deeply affected by the GFC, the ‘outrage consciousness’ that exists elsewhere is being imported, validated and projected here, she said.

The 2016 Census revealed a lot about the ethnic makeup of Australia. Nearly half (49%) of Australians had either been born overseas (first generation Australian) or one or both of their parents had been born overseas (second generation Australians). Of the 6.16 million overseas-born persons, nearly one in five (18%) had arrived since the start of 2012. While England and New Zealand were still the next most common countries of birth, the proportion of those born overseas who were born in China and India has increased to 8.3% and 7.4% respectively. Malaysia now appears in the top 10 countries of birth (replacing Scotland) and represents 0.6% of the Australian population. While 52.1% of Australians identify as Christians, those who listed Islam as their religion numbered 620,200 or 2.6% of the population.

One might imagine that immigrants and refugees settling in regional and rural Australia would receive a chilly reception from the stereotypical ‘rednecks’ of the bush. But Prof. Collins wrote in The Conversation that a research project on immigrants living in regional Australia a decade ago dispelled this myth, with 80% of respondents reporting a warm welcome.

“Our new research confirmed this finding, with 68% of the refugees surveyed in Queensland overall – and 81% in Toowoomba – reporting it was ‘very easy’ or ‘easy’ to make friends in Australia.”

Meanwhile, people who believe in embracing multiculturalism continue to celebrate its existence, which in Queensland is the month of August.

If you live in regional Queensland and support cultural diversity, you could look out for BEMAC’s Culture Train. (BEMAC is Queensland’s leading multicultural arts producer, presenter and artistic development organisation).The train will be making 15 whistle stops on a tour that starts today. A group of five culturally diverse musicians will present free concerts and workshops starting at Dunwich (Stradbroke Island), then on to Dalby, Chinchilla, Roma, Charleville, Longreach, Barcaldine, Emerald, Rockhampton, Gladstone, Childers, Cherbourg, Toowoomba, Ipswich and finishing at the Brisbane Multicultural Centre on August 31. The Culture Train 2018 ensemble is: Sarah Calderwood: Celtic singer-songwriter, flute & whistle player, Chong Ali: Vietnamese rapper and emcee, Marcelo Rosciano: Brazilian percussionist, Ben Kashi: Persian dulcimer and percussionist and Gertrude Benjamin: Torres-Strait Islander folk and soul singer.

Sarah, who is also musical director, said the group would be performing shows which combine songs from the group’s vastly different cultures backgrounds, with individuals performing solo work as well.

“The five of us are thrilled to not only celebrate this diversity through music and storytelling,” she told FOMM, “but to promote inclusion and bring communities together to collectively celebrate multiculturalism in regional, rural and remote communities.”

 

 

 

Happiness, harmony and Central Africa

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Melbourne harmony singers Co-Cheol

A musician friend alerted me on Monday that not only was it his birthday, it was also International Day of Happiness. Once I’d finished doing cartwheels around the room in response to this spiffing news, I wished the dear boy a very happy birthday. As if that was not enough to get the cockles of the heart percolating, the next day She Who’ll Sing at the Drop of a Hat went down town to celebrate World Harmony Day.

Continue reading “Happiness, harmony and Central Africa”